With the opening of the 16th Venice Architecture Biennale comes a look at the first ever contribution by the Holy See, an exhibition that brings together architects to design chapels that, after the Biennale, can be relocated to sites around the globe.
Located in a wooded area on the Venetian island of San Giorgio Maggiore, 10 chapels by architects including Norman Foster, Eduardo Souto de Moura, and Smiljan Radic, are joined by the Asplund Chapel by MAP Architects. This 11th structure serves as a prelude to the other chapels, while reflecting on Gunnar Asplund’s 1920 design for the Woodland Chapel.
The Asplund Pavilion, like the Woodland Chapel that inspired it, is intended as a “place of orientation, encounter, meditation, and salutation.” The interior hosts an exhibition of drawings by Gunnar Asplund for the Woodland Chapel, accompanied by documents and models illustrating its concept and construction. The subsequent journey sees visitors encounter 10 chapels symbolizing the Ten Commandments, also offering 10 unique interpretations of the original Woodland Chapel.
Below, we present new photographs of the 11 completed structures comprising the first Holy See Pavilion.
Smiljan Radic, Chile
Carla Juaçaba, Brazil
Javier Corvalán, Paraguay
Sean Godsell, Australia
Eva Prats & Ricardo Flores, Spain
Eduardo Souto de Moura, Portugal
Francesco Cellini, Italy
Norman Foster, United Kingdom
Andrew Berman, USA
Teronobu Fujimori, Japan
Asplund Chapel, MAP Architects