Articles by Materials

As we take stock and analyze the year 2022 from the most visited articles in our Materials section, it is clear that issues related to interiors have strongly resonated with our readers. While humanity spends more time indoors, both in physical and now even virtual realms like the metaverse, the forms and functions that define these interior spaces have acquired greater importance and value. Experimenting with fluid, flexible and versatile spaces is a trend that we have been witnessing for some years now, driven mainly by the impacts of the countless lockdowns still present in our memory. The chaos and uncertainty we experienced made us understand the importance of buildings with spatial awareness and sensitivity –those able to anticipate and take responsibility for the effects they have on their inhabitants. Factors such as orientation, the size and distribution of rooms, the use of natural light and ventilation, and the overall aesthetics of the space are essential. Technological advances have taken center stage and disrupted traditional interior design, giving rise to new and innovative approaches to domestic efficiency and circularity.

In Her, a 2013 film directed by Spike Jonze, a lonely writer develops a love affair with the virtual assistant of an operating system. Brave New World, a book written in 1932 by the English author Aldous Huxley, fabricates a dystopian society whose cult of efficiency and rationality creates a humanity that ignores hardship and pain but also represses love and freedom. In Mary Shelley’s 1818 book Frankenstein, considered the first science fiction novel, a life is artificially created, producing a monster with human characteristics: wills, wishes, and fears. Whether describing the fear of artificial intelligence, the uncertainty produced by industrialization, or the limits of science, science fiction works reveal less about the future and much more about the moment in which they were created; they speak of the fears and hopes of their own time.

It is difficult to start any retrospective text on 2020 without sounding too cliché. While facing an invisible enemy that changed everyone’s lives, this past year has taught us that humanity is more fragile than we ever imagined. At Archdaily, it’s our job to synthesize how the buildings and the world we live in will be impacted by COVID-19 not only in the short term but in the distant future as well. Has our perception of the built environment changed this year? And has our relationship with the tectonics of buildings changed with all of the obstacles we’ve faced along the way?

Hydraulic tiles are tiles produced entirely by hand with cement-based raw materials. Created in the mid-1800s in Spain, and widely used in Europe and America, it is a versatile option that can not only be applied in public areas, such as squares and sidewalks, but also interiors, including floors, walls, and furniture. Their versatility stems from the fact that they are highly customizable, from their colors and patterns to their geometry and dimensions. Read below a mostly technical explanation of these tiles, their manufacture, and their installation.

If you can’t stand music, hate theater, or loathe works of art, you can almost always avoid them. Architecture, however, is different. A poorly thought-out project will affect the lives of many people consistently and for a long time. With interiors, this effect is even more amplified. Humanity is spending more and more time indoors, which directly impacts our well-being and health. In periods of compulsory retirement, as in the current pandemic of Covid-19, we gain a sense of how important interior spaces are for our well-being and even for the prevention of diseases. Designing an indoor environment is a huge responsibility for a professional. An interior designer must plan, research, coordinate, and manage these projects to obtain an adequately healthy and aesthetically pleasing environment for the people who use the space. But what, in fact, is interior design?

Wood is a very easy-to-work material, allowing professional and amateur builders to manufacture simple objects and structures without major problems. However, when thinking about larger-scale housing or buildings, it’s important to take certain precautions that ensure good quality and good construction behavior. To this end, it’s essential to evaluate every project and analyze which connection system best suits its structural and aesthetic needs.

After centuries of using wood for the development of window and door carpentry, the Rationalism of the 20th century began to adopt a new material for these purposes: steel. Driven by industrial production, and promoted by architects such as Adolf Loos, Mies van der Rohe, and Le Corbusier, steel was evolving to generate increasingly thin and resistant frames. However, efficient and low-cost materials, such as aluminum and PVC, gradually began to replace its widespread use, increasing the size of the frames and losing steel’s “clean” aesthetic when applied to a growing architecture of large glass paneled facades.

Materials, products, and construction systems are constantly evolving and following new technologies, discoveries, and market trends. Today, within the framework of our Monthly Topic “Innovation” we wonder: what products or materials could we use so that our projects make relevant contributions to the way we are inhabiting our planet?

Translucent facades are light glazing panels used on the exterior of buildings, protecting the structure from weather damage, dampness, and erosion. Its composition of polycarbonate microcells creates a soft, naturally diffused light with a wide range of possible colors, brightnesses, and opacities.