Articles by Niall Patrick Walsh

Robotics and automation are a staple of any vision of how we will live in the future. Among architects and designers, this trend crosses a variety of scales, from smart cities to smart kitchens. As we outlined in our Trends That Will Influence Architecture in 2019, recent years has seen a strengthening in how interior spaces are being transformed by technologies, with searches for Domotics soaring by 450% in twelve months.

In 1773, James Cook circumnavigated Antarctica, representing humankind’s first known encounter with the continent. Ever since, Antarctica has been a vast, formidable, yet curious 14 million kilometer landscape, which explorers, scientists and governments have sought to understand and exploit. Given the harsh realities of building on the continent, aesthetics and architectural creativity have remained an afterthought in Antarctic settlements up until recent years. Today, however, the architectural scene is heating up.

Newton’s Third Law of Motion dictates that for every action, there is an equal and opposite reaction. In urbanism, this concept is evident in how the unprecedented growth of the built environment causes a reaction in rural landscapes. By 2050, the number of people living in cities will have increased by 2.5 billion, representing two-thirds of the global population. This mass flow of people from rural to urban areas gives rise to an equally dramatic flow of natural resources. In order to grow the cities of the future, humankind will continue to rely on the extraction of raw minerals to sustain our demands in architecture, energy, and commodities. As can be seen in studies such as Tom Hegen’s The Quarry Series, whose imagery accompanies this article, the extraction of these minerals represents yet another physical manifestation of rapid, linear urbanism.

Newton’s Third Law of Motion dictates that for every action, there is an equal and opposite reaction. In urbanism, this concept is evident in how the unprecedented growth of the built environment causes a reaction in rural landscapes. By 2050, the number of people living in cities will have increased by 2.5 billion, representing two-thirds of the global population. This mass flow of people from rural to urban areas gives rise to an equally dramatic flow of natural resources. In order to grow the cities of the future, humankind will continue to rely on the extraction of raw minerals to sustain our demands in architecture, energy, and commodities. As can be seen in studies such as Tom Hegen’s The Quarry Series, whose imagery accompanies this article, the extraction of these minerals represents yet another physical manifestation of rapid, linear urbanism.

In recent years, the architectural community has become heavily involved, in both positive and negative ways, with the chronic global issue of homelessness. In response, James Furzer of UK-based Spatial Design Architects has undertaken a photographic analysis exploring defensive forms of urban design. Using the typology of public benches in London, Furzer documents public fixtures which act as deterrents to rough sleepers, essentially denying a right to the city for those who ultimately have no choice but to be there.

In recent years, the architectural community has become heavily involved, in both positive and negative ways, with the chronic global issue of homelessness. In response, James Furzer of UK-based Spatial Design Architects has undertaken a photographic analysis exploring defensive forms of urban design. Using the typology of public benches in London, Furzer documents public fixtures which act as deterrents to rough sleepers, essentially denying a right to the city for those who ultimately have no choice but to be there.

Architecture may have its roots in sheltering humans from the elements, but that is not to say that architecture is for humans alone. Around the world, there are numerous examples of buildings and shelters designed by architects for other species. Some of these can be whimsical, such as the Dogchitecture exhibit by 10 Mexican architecture firms back in 2013, or the series of BowWow Haus kennels designed by over 80 architects back in 2017, including Zaha Hadid Architects. But others are designed for a more direct impact.

The advent of steel in architecture at the beginning of the 20th century is considered as one of the most innovative construction developments in history, allowing architects to create structures with heights, flexibility, and freedom never seen before. Henry Bessemer invented the most successful steel-making process in 1855, but it was not until 1890 that the process was refined enough for construction. The first steel constructions on both sides of the Atlantic, the Rand McNally Building in Chicago and Forth Bridge in Edinburgh, were record-breaking structures of their time.

In 1979, the Pontchartrain Park golf course was renamed the Joseph M. Bartholomew, Sr. Municipal Golf Course by the City of New Orleans. While perhaps not the ‘catchiest’ of title changes, the event was a posthumous chapter in the legacy of one of the most celebrated golf course architects of his time. Joseph Bartholomew (1888-1971) began life as an African-American in racially-segregated Louisiana only 23 years after the end of the American Civil War; fought in large part over the legality of African American slavery. But his life, chronicled in the latest New York Times’ Overlooked series, would see him reach the pinnacles of golf course architecture, and design nationally-celebrated landscapes that Bartholomew, because of his race, was himself not allowed to play on.

As the world of construction becomes more automated, driven by economy, speed, and bureaucracy, architect and professor Marc Leschelier has created an exhibition at the Architektur Im Magazin Vienna, Austria, which inverts this trend. Titled “Cold Cream” the exhibition creates a secluded space, dissociated from the world, where the practice of construction is reduced to the struggle between soft and hard matters as well as spontaneous rises. The exhibition is therefore not an act of architecture, but rather approaching a form of pre-architecture.