Spotlight: Tadao Ando

Church of the Light. Image © <a href='https://www.flickr.com/photos/hetgacom/22029029686'>Flickr user hetgacom</a> licensed under <a href='https://creativecommons.org/licenses/by-sa/2.0/'>CC BY-SA 2.0</a>

As the recipient of the 1995 Pritzker Prize, Tadao Ando (born 13 September 1941) is highly regarded for his unparalleled work with concrete, sensitive treatment of natural light, and strong engagement with nature. Based in Osaka, Japan, Ando’s ascetic yet rich version of modernism resonates with the traditional Japanese conception of architecture, and has caused him to be regularly referred to as a “critical regionalist.”

© <a href='https://www.flickr.com/photos/krss/3166875352/'>Flickr user krss</a> licensed under <a href='https://creativecommons.org/licenses/by-sa/2.0/'>CC BY-SA 2.0</a>

After briefly working as a truck driver and a professional boxer, Ando embarked on a largely self-taught architectural education that included apprenticeships, night classes, and visits to renowned buildings across the world. He opened his office in 1969 in Osaka and achieved fame quickly, being awarded the Annual Prize of the Architectural Institute of Japan as early as 1979 for his Row House in Sumiyoshi (commonly referred to as the Azuma House). Ando honed in on the characteristic design feature of bare concrete walls—however unlike in many concrete designs, Ando’s walls are renowned for their smoothness, an effect he achieves by varnishing the formwork before pouring the concrete.[1]

Hyogo Prefectural Museum of Art. Image © <a href='https://commons.wikimedia.org/wiki/File:Hyogo_prefectural_museum_of_art08s3200.jpg'>Wikimedia user 663highland</a> licensed under <a href='https://creativecommons.org/licenses/by-sa/3.0/deed.en'>CC BY-SA 3.0</a>

Ando’s mastery of light, nature, and space catapulted him onto the global stage during the 1980s. It was in the latter part of this decade that he completed his two most recognizable designs, the Church on the Water in 1988 and the Church of the Light in 1989. It is perhaps no coincidence that these two designs remain some of Ando’s most well-known; with both attempting to provide spiritual spaces organized around an appreciation of a single natural element, they are perfect examples of Ando’s architectural principles.

Ando’s buildings derive their form from simple geometries that contrast with complex 3-dimensional circulation, reflecting his desire for his architecture to be an immersive physical experience. He has explained his method by saying: “When I design buildings, I think of the overall composition, much as the parts of a body would fit together. On top of that, I think about how people will approach the building and experience that space… If you give people nothingness, they can ponder what can be achieved from that nothingness.”[2]

The Langen Foundation. Image © <a href='https://commons.wikimedia.org/wiki/File:Langen_Foundation_Neuss_02.jpg'>Wikimedia user Perlblau</a> licensed under <a href='https://creativecommons.org/licenses/by-sa/2.0/de/deed.en'>CC BY-SA 2.0 DE</a>

While most of Ando’s work is located in Japan, since the mid-1990s he has worked increasingly in other countries, with notable projects including the Modern Art Museum of Fort Worth and the Pulitzer Foundation for the Arts in St Louis. He is also now working on his first project in New York, a residential building announced in 2014.