Iris Art Realm is located on the banks of Li Gongdi, Industrial Park Lake Suzhou. It’s a renovation project with children’s art education and exhibition as its main function. Its architecture, interior and soft decoration all designed by LYCS Architecture.
Set in a former print factory at the southern end of Tel Aviv, this intervention within an existing industrial building explores the boundaries and potentials of re-use as a design brief. The building on 117 Herzl Street was a mediocre architectural product in the positive sense of the word. It had other qualities too, being practical, average, unremarkable, generic, and faded.
Long March Space founded by Lu Jie in the 798 Art District of Beijing in 2002, a total area of about 2500 square meters. Long March Space plays a vital role in pursuing new avenues of production, discourse, and promotion of contemporary art in China. Over the decade the gallery tirelessly revolutionizes the ways in which art is perceived and presented, offering one of the most comprehensive resource platforms for the local arts community in China.
The concept for the Sutudio-Galería Di Vece is to create an atmosphere of a isolation within an environment that promotes a state of creative serenity. The experience starts at the Acces Bridge, a 15 mt long hallway, suspended between concrete walls, roughly finished, that ends up at the entry door; The gate is a heavy iron door, covered with fiber cement panels that embrace a line of light that marks the module key plan, not only for floors and ceilings, but also for walls, glazing and furniture.
Located in in the heart of Racine, the Gallery and Studio building was designed for a painter and local art advocate who set out to create a new cultural anchor for the city, one that would help revitalize Racine’s currently anemic downtown. The project pairs the painter’s own studio on the upper level with a street level art gallery. Sitting on a narrow sliver of vacant land at the end of a trapezoid city block shaped by two overlapping urban grids, the 3,250 sf. building caps the block of historic brick structures and re-establishes the street edges along two important thoroughfares that connect Racine’s western neighborhoods with Lake Michigan.
On the historic campus of Franklin & Marshall College, the new Winter Visual Arts Building takes shape as a raised pavilion formed by the site’s 200-year old trees, the oldest elements of the campus. A new campus destination for all students, the building’s spaces aim to evoke the creative energy involved in teaching and making art.
In zhejiang, china,mitsuhiro shoji of uchida shanghai has completed the renovation of this 1980s linen factory. The client – a linen thread producer – had an attachment to the former factory and therefore enlisted the help of shoji to transform the building into a contemporary gallery that exhibits the life of linen.
The Canvas Hill Residence, its name, a combination of a painter’s medium and the sloping Janda Baik site, reflects the spirit of the homeowner – a renowned local artist – that on many levels intuits its use and genius loci within a modern yet traditional-infused architectural proposition.
The exhibition Twelve cautionary urban tales, based on Superstudio’s Twelve cautionary tales for Christmas, aims to “rethink our role in the making of the city”, in the words of Ethel Baraona, exhibition’s curator. Through twelve installations that focus on different aspects of society and its relationship with the urban environment, Twelve cautionary urban tales explores utopias and dystopias on the future of the city.
The vision of remarkable arts philanthropist Judith Neilson, the building is a partnership of architecture and artistic fields. The intention is to have the spaces working together, to have visual arts interwoven with the performing arts. Two architects bring the design together: John Wardle Architects designed the gallery in the east wing and Durbach Block Jaggers designed the performance space. The components are linked centrally by a courtyard and garden.
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