Articles by Kuba Snopek

Entering the Guggenheim Museum, visitors find themselves surrounded by a feast of vivid colors and mismatched fonts. Passing the gigantic green tractor at the entrance, they move across the ground floor, littered with stickers, like a lunchbox, or a lid of a laptop. A thick pillar that pierces the internal atrium has become a garish advertising column. A bale of hay, a drone, and some other object (impossible to identify) levitate high overhead. A cardboard cutout of Joseph Stalin on robot wheels moves down the ramp, scaring off visitors. Big reflective letters say: “Countryside, The Future”.