Articles by Lindsay Duddy

In an effort to reinvent an iconic American fast-food brand, McDonald’s U.S. has announced a new direction for the corporation, beginning with rethinking the restaurant’s current archetypal design both in its interior eating spaces and exterior urban landscape. A primary example of this commitment can be seen in the recently completed design for McDonald’s Global Flagship in Chicago by Ross Barney Architects.

In an effort to reinvent an iconic American fast-food brand, McDonald’s U.S. has announced a new direction for the corporation, beginning with rethinking the restaurant’s current archetypal design both in its interior eating spaces and exterior urban landscape. A primary example of this commitment can be seen in the recently completed design for McDonald’s Global Flagship in Chicago by Ross Barney Architects.

Interior spaces are a constellation of multiple elements framed by a building’s architecture. Furniture, in particular, plays a key role in defining a space, affecting the uses, comfort level, and feel of the space. Creating a coherent design that maximizes function and activates a living space requires furniture pieces that are not only aesthetically pleasing to begin but are also timeless – creating a dialogue between furniture and architecture.

In 2016, Ecole des Ponts ParisTech has established an advanced masters program with a focus on digital fabrication and robotics. Currently recruiting for its fourth installment, the Design by Data Advanced Masters Program appeals to architects, engineers, and tech-oriented designers. Since its launch in 2016, the program’s director Francesco Cingolani has sought to shape the relationship between architecture and technology by creating a cross-disciplinary culture between the two.

Andrea Jasci Cimini has designed a contemporary interpretation of a historic building typology, the lighthouse. The success in the design not only stems from its pleasing visual appearance, but also in the redefinition of an aging typology. The lighthouse, as a building typology, has slowly evolved into a cultural relic as new technologies render it redundant.

Five years ago, Raw Design, Ferris + Associates and Curio founded the Winter Stations Design Competition to bring innovative design concepts to Toronto’s beaches in the winter months. This year, four designs were selected from hundreds of submissions and will be joined by two student submissions to dot the beachfront alongside vacant lifeguard stations.

Interior spaces are a constellation of multiple elements framed by a building’s architecture. Furniture, in particular, plays a key role in defining a space, affecting the uses, comfort level, and feel of the space. Creating a coherent design that maximizes function and activates a living space requires furniture pieces that are not only aesthetically pleasing to begin but are also timeless – creating a dialogue between furniture and architecture.

To honor renowned Brazilian architect Oscar Niemeyer’s birthday (December 15, 1907), Slovenian photographer Danica Kus published a series of black and white photographs highlighting Niemeyer’s surviving architecture. The architect, who passed in 2012 at the age of 104, is considered one of the greatest modernist architects of the 20th century.

A team of students at the Delft University of Technology has proposed an innovative design for a Hyperloop pod. Winners of the SpaceX Hyperloop Pod Competition in 2016, the TU Delft team came in second place this year with a pod design for one of the most promising transportation systems that many countries hope to build in the near future. The Netherlands in particular, where the University is located, hopes to be the first country in Europe to conceive and build a functional Hyperloop system.

The architectural and engineering feats of Spanish architect Santiago Calatrava can be admired around the world, but his City of Arts and Sciences, designed alongside Felix Candela, has remained a modern architectural marvel. Like many international visitors, Lebanese photographer Anthony Saroufim found himself inherently attracted to the highly publicized building complex with a specific, tailored angle – unraveling the relationship between the built reality and the people interacting with it.