Installation

The pavilion invites people to a close experience with nature, focusing visitors’ attention on the water reservoir – views, sounds, and movements. It forces a person to stop, to slow down thanks to the endless view into the treetops, the defined view of the boundless calm water surface, and the gentle closure from the surrounding bustle of everyday life.

SoLa Impact’s mission to preserve, refresh, and create high-quality affordable housing has revitalized Black and Brown communities throughout Los Angeles. Since 2015, SoLa has acquired 1,500 units and is currently developing, constructing, and rehabbing another 1,300 new units in the greater Los Angeles area. SoLa Impact currently owns and manages 200+ buildings across its three real estate funds.

The first edition of the Islamic Arts Biennale brings together a mix of ancient artefacts and contemporary artworks, displayed over 120,000 square meters of exhibition spaces, taking over the SOM-designed Western Hajj Terminal.

In a landscape designed by tall and voluminous treetops, a path winds through the ground. In one of its curves, 14 wooden props lightly structure a simple support, supporting an even lighter coverage. Supporting themselves in the form of a tripod, these props design two porticos, on which steel cables are tensioned – balanced by the visible weight of 4 concrete pieces.

The project emerged from the desire to present the new collection of the fashion brand LR3, merging virtual and digital reality with the physical one. The approach consists of creating an ephemeral space located inside the pavilion of Nuestra Señora del Carme, in the modernist complex of Sant Pau, designed by the architect Domènech i Montaner. The access to the pavilion is from the north side of the old hospital, and naked, pixelated avatars serve as a lure to the experience.

The museography and exhibition architecture project of the Panteão dos Almeida, in the Church of Santa Maria do Castelo in Abrantes, Portugal, aims the adaptation and interior requalification of an old church (a historic building in the city of Abrantes, built in 1215 by D. Afonso II, being later, in 1433, rebuilt by D. Diogo Fernandes de Almeida, one of the central characters of this project), fulfilling the strictness of the restrictions, imposed by the entities that supervise the intervention in heritage and that do not allow any alteration to the existing other than painting and maintenance of materials.

The House of Dior is built upon Christian Dior’s spirit of reinvention and global reach in fashion, a legacy that simultaneously persists and evolves with the contributions of individual creative directors. The scenography for Dior: From Paris to the World at the Denver Art Museum and Dallas Art Museum defined continuous narrative journeys—in each, a seamless path and unified backdrop for garments and artworks that reflected over 70 years of The House of Dior.

Background – Since the exhibition of “Long Life Design: Thinking and Practicing” has been held in the OCT Art & Design Gallery in Shenzhen (exhibition space designed by Studio 10) and Pearl Art Museum in Shanghai (exhibition space designed by Kooo Architects), curator Mr. Zuo Jing has been carrying out practices and research on sustainable design, hoping to present an exhibition with the concept of “Zero Waste”. Our team has also been exploring sustainability in design practices. It was in such a context that our cooperation was made possible. This time, we designed the setting for the “Back to the Future: Breaking the Time Barrier” exhibition co-curated by Zuo Jing by simply using cardboard.

For the Joy of Play is an exhibition in Paris created by AMO and CONSUL. It is a series of environments for play – vibrant in color – inspired by LEGO elements and football.

Completed as part of the 16th edition of the Horizon “Art Nature” in Sancy, the project aims through different aspects, to shed light on and question the status of the rural world, its landscape, its inhabitants, its diversity, in its relationship with diverse contemporary problematics as tourism, building habits or ecology. Both temporal and visual artifact, the symbol of the bell tower is synonymous with centrality. This focal point here is moved into the heart of what makes Sancy as it is, as much as its cities and villages: its rural activity.